20.00 Uhr
Weihnachtskonzert des Georg-Friedrich-Händel-Gymnasiums
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„Spielzeit“ – live streams on gaming platform twitch
Our musicians introduce their Konzerthausorchester and their instruments, report on projects, challenge each other and play live from the Konzerthaus Berlin. Click here
Amalia Aubert
She has performed at chamber music festivals in Davos, Verbier and Kronberg, among others. She teaches at the Berlin University of the Arts. What do you find particularly appealing about playing the viola?
Avigail Bushakevitz
As a chamber musician, she performs in duo programmes with her brother, the pianist Ammiel Bushakevitz, among others. Is there a key work that started your love of music?
Wilfried Helm
Is there an instrument other than your own that you would like to master? As a former trumpeter, I have mastered all valve instruments in the tenor and alto registers, plus trombones with historical bore sizes. That’s quite enough for me.
Inside the instrument case – Harp revelations
As with string players, she is particularly careful with her fingernails: “I always have nail clippers and other accessories with me to trim any ‘claws’.” From Ronith’s instrument case What looks like a corkscrew handle is actually the tuning key!
My Konzerthaus
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Joana Mallwitz on the cuts in the cultural sector
Dear audience here at the Konzerthaus, I would like to apologise for addressing you today before the first note, but there is no other way. When I planned this evening's programme, I was primarily concerned with the experience of listening.
Andreas Böhlke
What other instrument would you like to master besides your own? I would like to be able to play the oboe because I like the sound very much. Is there a key work that started your love of music?
Nerina Mancini
I usually eat a piece of fruit or some other snack before I change and warm up some more. Then we all gather to go on stage. Which favourite place in Berlin do you recommend when you have visitors?
Work of the Week – The Passion of Ramakrishna
Among other things, he was fascinated by the Hindu mystic Sri Ramakrishna, about whose serious illness and transcendence of physical suffering, which led to his death, he wrote the oratorio "The Passion of Ramakrishna" in 2006.
Work of the week – Thus spoke Zarathustra
By contrast, B major belongs to humanity, its busyness and its sensitivities, so that two keys that are far removed from each other but chromatically related dominate.
Work of the week – Mozarts's Piano Concerto No. 23 K 488
Others count fewer and come up with 21 original concertos by the Viennese composer, for example.
Volunteering
During our 2003/04 season, we developed a program together with our volunteers that has since served as a model for other organizations.
Easy language
Other musicians travel here from all over the world to play live for our audiences. There are also children’s concerts, theatre with music or concerts in which only certain instruments perform together. For example, two violins, a viola and a cello.
Work of the week – Bryce Dessner's Piano concerto
I think we challenged each other. I wrote the first movement and sent it to her. It has a kind of passacaglia in it that keeps rolling back, almost like a baroque lament, although it is not sad.
Upwards #1
Before a concert or other important moments, I like to talk to people. It distracts me and calms me down. You come from Finland and previously played in an orchestra in Helsinki. What was different?
That was “Aus den Fugen”
With ‘Our People’, tenor Frederick Ballentine and pianist Kunal Lahiry have created an inspirational evening in honour of black and queer voices with voguing and songs by Aaron Copland, Franz Schubert, Margaret Bonds, John Musto, Nina Simone and others.
Insights - Mostly Mallwitz
The interim talk with general director Sebastian Nordmann focussed, among other things, on spontaneity when making music together. This can be realised in a completely different way in chamber music than when conducting a symphony orchestra, of course.
Norbert Möller
On the other hand, being a musician is so exciting because even after 38 years, new things always come along – pieces that have not been played before, new interpretations, new people around me and new discoveries, even in a symphony that has been played umpteen