13.00 Uhr
Rundgang
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Don't miss – Concert tips for December
And that includes No. 7: sitting in the middle of this great orchestral apparatus with the Wagner tubas on one side and the violas on the other - it's an experience you never forget.
Intuition, trust and an irresistible pull
Friedemann Ludwig (Principal Cello) Christoph Eschenbach is not at all interested in superficial impressions – through speed, volume or other "sporting" achievements. His domain is poetry, drama, musical content.
Don't miss out – Tips from the Konzerhaus Berlin
I have not found any other recording that equals Iván Fischer’s interpretation – you should definitely hear it live with him. Parts of Smetana’s ‘Má Vlast’, or ‘My Fatherland’, were among the first pieces I played in the youth orchestra.
Once you start listening to them
I receive courage and inspiration through others, through encounters, through communication, through connection.” – Marvin Holley, musician Musician and project developer Kian Jazdi’s projects bring together an array of people of different ages and genders,
Konzerthaus goes digital
Augmented reality, on the other hand, works differently. All the user needs is a powerful smartphone or AR-glasses to expand the visible reality with virtual elements.
Don't miss – Concert tips until early November
I think he was able to express this with a depth, subtlety and love like no other. For us musicians, it is indescribably beautiful to recreate this feeling in our playing and pass it on to those who listen to us.”
E.T.A. Hoffmann – a famous neighbour
Incidentally, the stage design for Undine was painted by none other than Karl Friedrich Schinkel – unfortunately, the devastating fire destroyed it completely after only 14 performances. And who rebuilt the theatre at Gendarmenmarkt in the end?
Festival “Of beginnings” - a retrospektive
Together with the Trickster Orchestra and other independent ensembles, the second part of the opening concert presented the utopia of a trans-traditional symphony orchestra. The guided improvisation “Amphiphilie“ was conducted by composer Cymin Samawatie.
Always on Wednesday
His time in Paris with Nadia Boulanger was enormously liberating for him, because she accepted him just as he was, like any other student. Until his old age, he spoke and wrote about her with great affection and respect.
KHO on tour - Graz
Word of the quality of the vanilla Kipferl and other baked goods has spread as far as the Japanese media. And because quality is highly appreciated there, a branch has even opened in Kyoto.
KHO on tour #1
And if you’re good at it, that rubs off on others. It’s similar to making music. In music, the composer sets the tone; in photography, it’s the environment—but in both, you can apply your own filter without taking yourself too seriously.”
Berlin Tracks: Stadtmitte – Nollendorfplatz
I look back on that with nostalgia today, but on the other hand, my life has changed so much since then that much of it would no longer fit in.” In search of time and space As a student in London, Liam Byrne dreamed of living in Berlin one day.
Welcome to the Kurt Sanderling Academy
The Irishwoman from Dublin would have found attractive career alternatives in other forms of art – as a painter or filmmaker. As a member of the Kurt Sanderling Academy, Phoebe played in our first violin section until the end of 2023.
From the head to the heart and into the body
The desire to connect with music, to strive for innovation in relation to all the others and to inspire one another is ever-present. For me, that’s a great incentive.
Metropolitan Madness
Hardly any other composer knew how to capture so aptly the loneliness that a soul can feel in the midst of the hustle and bustle. His music is “poor”, just as Satie himself was at the turn of the 20th century.
Chineke! Orchestra
things than blowing each other up!’
Chamber music as a transitional stage
Mahler's Piano Quartet in A minor remained a fragment, whereas Richard Strauss's Piano Quartet was allowed to grow to 40 minutes in its completed form - longer than any of his other early instrumental works such as sonatas, symphonies or concertos.
That was the 24/25 season
for peace, an enthusiastic community at the voguing evening ‘Our People’, dignified commemoration of 70 years of Yad Vashem with Lera Auerbach's 6th symphony ‘Vessels of Light’, the Konzerthausorchester Berlin under Joana Mallwitz and guests as well as many other
Bartók und Dvořák
Art and science, on the other hand, in the sense of inventiveness, craftsmanship and profound knowledge, are in any case omnipresent in the music heard today - not least in the stylistic unmistakability of both composers, who in very different ways founded
Blissful contemplation
Haochen Zhang die Goldmedaille beim Dreizehnten Internationalen Van-Cliburn-Klavierwettbewerb im Jahr 2009 als erster asiatischer Musiker der Geschichte dieses Klavierwettbewerbs. 2022 wurde seine Essaysammlung über klassische Musik mit dem Titel „On the Other