20.00 Uhr
Weihnachtskonzert des Georg-Friedrich-Händel-Gymnasiums
Collaborating with other artists has always been an important part of your musical identity. Your first piece played in the season opening is your piano concerto, which you wrote for Alice Sara Ott. How did you two find each other?
Someone once said to me that we musicians don’t work, we make other people happy. For me, that is the most beautiful thing about making music.
As a soloist, Adriana Porteanu has performed with the Munich Symphony Orchestra, the Munich Bach Soloists, the Brandenburg Symphony Orchestra and the Bucharest Radio Orchestra, among others.
Among other things, I wanted to be a journalist. Is there an instrument other than your own that you would like to master? Piano – because it is the key to all creative aspects of music-making and also wonderfully versatile.
You don't have these spontaneous meetings before concerts in other venues without this slow elevator!
From 25 February to 1 March 2020 we will celebrate with him and many other musical companions and friends.
After three short interludes on other violins, I returned to it many years ago. Which favourite place in Berlin do you recommend when you have visitors? My Konzerthaus every time!
feathered animals of the forest carry the hunter to the grave, and deer, roes, foxes and other four-legged and feathered animals of the forest escort the procession in hilarious positions.
Anyone who plays an orchestral instrument and is looking for the opportunity to play music with others is welcome to apply.
Among other things, she was a scholarship holder at the Villa Musica Foundation. As a passionate chamber musician, she plays in various ensembles. The cellist is a member of the current board of Konzerthaus Kammerorchester.
Many musical cultures meet here, inspiring each other to new styles and forms of music-making. At the four-day festival The Sounds of Berlin, the Konzerthaus Berlin will be presenting new music from the metropolis that is definitely worth hearing.
German Ingo Luis, on the other hand, has arranged German Christmas carols in swing or Latin versions. The concert is rounded off with a few ‘relaxed’ works of American modernism.”
But then there are phases when you need other inspiration and balance: For example, listening to music, reading, watching films and thinking - not just about music."
I often used to help out in other orchestras, but it makes a difference, especially when playing together in the percussion section, if you know each other really well. After a while, you simply know each other's body language very well.
Which other instrument besides your own would you like to master? If I played a string instrument, the doors to many more concert repertoires would be open to me.
In chamber music, there are composers like Maurice Ravel, Claude Debussy, Ralph Vaughan Williams and others whom I continually rediscover, especially with the Horenstein Ensemble.
One isn’t perceived as an individual artist, but at the same time, this is the beauty of our profession – that we become an integral whole, in which one cannot do without the other.
And we also comfort each other when one of us is not doing well or really sad. What is your favourite story from the dressing room?
But you can only get to the Werner-Otto-Saal, where we rehearsed, in the other elevator, which is currently out of order due to renovation work. So we all took the stairs. That‘s full commitment!
On the road, however, he first finished composing the "Hebrides Overture" inspired by his trip to Scotland and worked on other pieces.