13.00 Uhr
Rundgang
On the road, however, he first finished composing the "Hebrides Overture" inspired by his trip to Scotland and worked on other pieces.
“On the one hand, a solo like that is a great opportunity; on the other hand, everything has to work out perfectly.” It did!
If necessary, he cleans up after others. That brings us to one major persona: a mother/father, a Nurturer.
This hill of debris and rubble climbs over 100 metres high in the west of Berlin: “I enjoy the beautiful views of Berlin from up there on one side and the green sea of Grunewald Forest on the other.”
It gives us musicians the opportunity to get in touch with each other in a very intimate and subtle way, to listen and react to each other. Each and every one of us is important!
Others prefer taking a walk and a coffee on one of the terraces to let their gaze glide across the lake into the distance.
It gives us musicians the opportunity to get in touch with each other in a very intimate and subtle way, to listen and react to each other. Each and every one of us is important!
Some notes can be played better on an F horn, others on the somewhat shorter Bb horn.
I’d seen the advertising pillar with the posters of other artists in residence right in front of the concert hall since my first semester at the university next door.
Like many others, the young cellist Maurice Maréchal missed his instrument very much.
Scenic elements and music blend together and complement each other. I’m very excited that it’s finally getting underway, because the preparation—which director Dirk Engler guided us through—was quite a long process.“
is like any other orchestra in that we perform concerts for audiences around the world, but we have an added purpose, which is uniquely shared: a commitment to bringing more representation of the world’s diverse populations to the stage. Chineke!
Collaborating with musicians from jazz, pop and other backgrounds made me able to enjoy exploring those possibilities in other genres of music as well.
Berlin has become home to all four of us and we actually first got to know each other here.
On the one hand, because we show our many facets musically and design-wise at these, and on the other hand, because I get to implement these exciting formats.
The cello can play both high and low and can therefore play a four-part movement in the ensemble, which is not possible to the same extent with other string instruments.
The first day is always about getting to know each other and the music. For the last concert, I played a Dohnányi string trio, for which we had to rehearse a lot. This time I can just listen (laughs).
Because there are some other witches who can be so mean and turn you into something really stupid. Luckily, it's never happened to me. But I thought it couldn't hurt to get away for a while.
They both loved music, played the piano and composed wonderful pieces of music ... and they wrote letters to each other to keep each other up to date. You should definitely get to know them! Podcast in German language back 3.
The rehearsals are completely unconventional: we sing a lot and speak the rhythm, sit in a circle and make as much contact with each other as possible.