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The Sounds of Berlin hybrid
Das Hybrid-Event im Überblick Das Hybrid-Event „The Sounds of Berlin“ fand am 28. November 2022 gleichzeitig und miteinander agierend an drei Berliner Orten analog wie auch im digitalen Raum statt.
Don't miss – Festival tips “Of beginnings”
is highly controversial in the context of current world events—the “American Dream.”
200 years of the Konzerthaus – A very special anniversary
As a result of the pandemic, we had to postpone many concerts and reschedule some events.
Insights - Our trainees
Nike, Luca and Ben are training with us in the areas of event management, IT and technology. In the clip, they give us exciting insights into their working day and let us take a look behind the scenes of the concert business. Come along!
Insights "20 years of volunteering"
Whether at evening events for our guests, preparing school visits or giving exciting tours of our theatre - they are true heroes behind the scenes!
Konzerthausorchester on twitch.tv - the making-of
Produktion und Redaktion: Konzerthaus Berlin Projektbegleitung: Booster Space Events & Consulting Video: Florian Schneider Das Projekt wurde von Februar bis Dezember 2021 im Rahmen von „dive in.
Upwards #18
March 5, 2025 #Violine #Konzerthausorchester #In the elevator Share We use the time in the extraordinarily slow elevator with Stefan Markowski to ask our associate concertmaster of the second violins about the ups and downs of the Konzerthausorchester during eventful
Don't miss - Concert tips for June & July
All the events and concerts by the Konzerthausorchester and various ensembles, the many children, trying out instruments here, face painting there - everywhere there was something to film or someone to interview. It was a really intense start for me.
Don't miss – Concert tips for November
In the event management team, Manuela Schmelz is responsible for production management of special projects and festivals, which includes our "Mostly Mallwitz" week at the end of the month. "I'm a total fan of festivals at the Konzerthaus.
Don't miss – Concert tips for March
Nike Kunkat is a trainee in the Konzerthaus event management department.
Broom buzz and toothache witched away
Unsere KlangKüken-Reihe Here you can see who has been there before the witch and what it's like at the KlangKüken events.
For the love of classical music
The “Children’s Classical Gala”, a special event that takes place during the Advent season for kids from socially disadvantaged backgrounds, would not be possible without our volunteers.
Welcome, Bryce Dessner
It's quite tragic how recent events have unfolded there. We are entering a very dangerous phase in the US, which I think Europe has known at other times in history.
Don't miss – Concert tips for January
Hannah Mulac, part of our event management team and amateur cellist, is looking forward to the trio concert by Artist in Residence Augustin Hadelich, which the violinist will play on January 29 with two friends, cellist Marie-Elisabeth Hecker and pianist Martin
Don't miss out – Tips from the Konzerhaus Berlin
Our scheduler and event manager Lydia Naumann’s recommendations already look ahead to the new year: “In January we are expecting the traditional English chamber orchestra Academy of St Martin in the Fields.
Chineke! Orchestra
Musik versteht Brian Raphael Nabors vor allem als gemeinschaftliches Event. Alle Anwesenden können etwas mitnehmen, etwas daraus ziehen – egal, ob sie aktiv am Musizieren beteiligt sind oder als Zuhörende im Konzertsaal dabei.
Always on Wednesday
This regular gathering, affectionately known as the ‘Boulangerie,’ was an institution in Paris and by no means a bohemian event. It was entirely devoted to music, work analysis, and composition lessons.
Don't miss – Concert tips for February
If you play or have played an instrument, it occupies a special place in your personal musical cosmos: For Dörthe Behnke from our event management team, it's the piano. Eleven days of Tribute to Elisabeth Leonskaja are a celebration for her.
Berlin Tracks: Stadtmitte – Nollendorfplatz
There are still many opportunities to play house concerts and similar events. I still find this unstructured music-making in between, this experimentation, very important.
Music for a Future
In the second edition of “Aus den Fugen”, we remain true to this bold approach: once again, we are transforming impulses from world events into artistic ideas.