The two orchestral works by Lili Boulanger, which are also available in chamber versions, were composed in the last months of her life, belong together and yet form a pair of opposites: The melancholy “Sad Evening” probably reflects her attitude to life at that time; the bright, carefree “Spring Morning” paints a hopeful vision. Nadia Boulanger's piano fantasy from 1912 ranges from impressionistically delicate to enthusiastically rhythmic a la Stravinsky. Of her contemporaries Ravel, Debussy and Fauré, the latter in particular was close to the sisters as a teacher and fatherly friend.