Konzerthausorchester Berlin, Oscar Jockel

mit Vera-Lotte Boecker (Artist in Residence)
Konzerthausorchester Berlin Oscar Jockel Conductor Vera-Lotte Boecker Soprano
Alban Berg Sinfonische Stücke aus „Lulu“ Pause Antonín Dvořák Ouvertüre zur Oper „Rusalka“ op. 114 Antonín Dvořák „Lied an den Mond“ aus der Oper „Rusalka“ op. 114 Unsuk Chin Szene der Miriel aus der Oper "Die dunkle Seite des Mondes" Ludwig van Beethoven Ouvertüre zur Oper „Fidelio“ E-Dur op. 72 Ludwig van Beethoven "Abscheulicher... Komm, Hoffnung" – Rezitativ und Arie der Leonore aus der Oper„Fidelio" op. 72 Ludwig van Beethoven Ouvertüre zur Oper „Leonore“ Nr. 3 C-Dur op. 72a


“I’m interested in works and characters that have something to say to us today, even though they speak to us from a different era,” says Artist in Residence Vera-Lotte Boecker. Overtures by Dvořák and Beethoven frame her multifaceted opening concert with the Konzerthausorchester, which she begins with “Lulu’s Song” from one of her favourite roles: “Alban Berg’s ‘Lulu’ follows the rules of twelve-tone music, yet it is deeply emotional and, to me, heart-wrenchingly moving. The subject matter could hardly be more relevant today.”

An enchanting natural atmosphere and wonderful melodies, in turn, characterize Dvořák’s famous “Song to the Moon” from the fairy-tale opera “Rusalka”, while Unsuk Chin’s second opera, “The Dark Side of the Moon” (2024/25), tells a 21st-century Faustian tale in which the girl Miriel tries in vain to save a scientist. Beethoven’s strong female character, Leonore, on the other hand, succeeds in freeing her husband Florestan from prison.

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