13.00 Uhr
Rundgang
A unique and logistically very complex instrumentation can be found in the score of Haas’ “limited approximations” from 2010: six pianos microtonally detuned against one another as solo instruments. With two other “outrageous” works, the audience can expect a “continuum of sound intoxication” over five centuries.
Festivalförderer
Medienpartner
Medienpartner
My Konzerthaus simply offers you more! Become a member for free and you can save or share your personal watch list, for example.
Learn more